The play is Infinite Jest. Yes, the 1,079-page David Foster Wallace novel. Germany’s leading experimental theater, Hebbel am Ufer, had the gall not only to stage the world theatrical premiere of an Infinite Jest adaptation, but to play it on the grandest stage possible: the city of Berlin itself. Over the course of 24 hours, the shell-shocked and increasingly substance-dependent audience is transported to eight of the city’s iconic settings, which serve as analogs for the venues to which the discursive novel continually returns.
But so we’re at this AA meeting in a Boston school cafeteria, which in this case is the cultural center of a city quarter that was drawn up from scratch in the 1960s in the far, far north of Berlin, like practically halfway to the Baltic, this sticks-of-the-sticks-type section of town. And the actor sharing his history of teen addiction to Quaaludes and Hefenreffer-brand beer is droning on far too long and starting to give me the howling fantods.